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Title	:	Pierrot Mon Ami
Author	:	Raymond Queneau
Book Format	:	Paperback
Book Edition	:	Special Edition
Pages	:	Pages: 160 pages
Published	:	September 1st 1989 by Dalkey Archive Press (first published 1942)
Categories	:	Cultural. France. Fiction. Novels. Literature. European Literature. French Literature

Pierrot Mon Ami

Raymond Queneau

Paperback | Pages: 160 pages

Rating: 3.89 | 519 Users | 47 Reviews

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Pierrot Mon Ami, is considered by many to be one of Raymond Queneau's finest achievements, it's a quirky coming-of-age novel concerning a young man's initiation into a world filled with deceit, fraud, and manipulation. From his short-lived job at a Paris amusement park where he helps to raise women's skirts to the delight of an unruly audience, to his frustrated and unsuccessful love of Yvonne, to his failed assignment to care for the tomb of the shadowy Prince Luigi of Poldevia, Pierrot stumbles about, nearly immune to the effects of duplicity.



This "innocent" implies how his story, at almost every turn, undermines, upsets, and plays upon our expectations, leaving us with more questions than answers, and doing so in a gloriously skewed style (admirably re-created by Barbara Wright, Queneau's principle translator).

Declare Books During Pierrot Mon Ami

Original Title:	Pierrot Mon Ami
ISBN:	1564783979 (ISBN13: 9781564783974)
Edition Language:	English

Rating Epithetical Books Pierrot Mon Ami

Ratings: 3.89 From 519 Users | 47 Reviews

Write-Up Epithetical Books Pierrot Mon Ami

I think I'm going to have to reread this one. A bittersweet novel, that works slowly, almost against the traditional aims of novel - the end is a series of lost opportunities, without regret but also without a cheerful resolution. What lingers is the comic yet also almost tragic drifting of the titular character, who, like a piece of wood in the sea, rides the wave until it passes, and maintains the same intriguing buoyancy.

Pierrot, the classical Pierrot, from the Commedia dell'arte, always loses the girl in the end to the more physically beguiling and wily Harlequin. Pierrot is a little more naive and bumbling than Harlequin anyway, what with Hs acrobatics, lithe body, and fancy diamond-emblazoned costume. Pierrot is always clownishly decked in his white body-suit with frilly collar, not too manly to say the least, and while Watteau did him justice, he never really received the grand oil and canvas fame that

His mind contained nothing but a mental, light, and almost luminous mist, like the fog on a beautiful morning, nothing but a flight of anonymous midges. I'm interested in mist. Not the mist rising up off the moors in the seeping light of dawn, though I do like that, too. What I'm talking about is the mist in people's minds. I've found references to this mist in many of my recent reads. Maybe it's like how once you become aware of something, find it the first time, you start seeing it

Queneau is a master of character, often sacrificing plot for the creation of personalities for the reader to connect with. As a writer who has often been criticized for the same "flaws," I've always been drawn to Queneau's work. The thing many people don't understand about novels that focus more on character than plot is that the world revolves around the character because he or she is the only one aware of what is going on in. In that way the character becomes a stand-in for the author,

The late medieval times Commedia dellarte is a farcical fair theatre of masks And Pierrot is a sad clownThe modern times Pierrot Mon Ami is a farcical mystery A fairground is a background And Pierrot is a sad clownthere was the hubbub of the crowds enjoying themselves, the clamor of the charlatans and clowns doing their tricks, and the rumble of the machines wearing themselves out. Pierrot had no particular opinion on public morals, or the future of civilization. No one had ever told him that he

One of those books that makes me wish I could read the native language. This translation was great (as far as I could inexpertly tell), preserving Queneau's often bizarre vocabulary and abbreviated slang dialogue. Queaneau is one of those writers who is well aware that his work is a book and it is being read and it is just a story and consequently his style is very intelligent and sort of removed, jumping from viewpoint to viewpoint, consciously playing with the reader. If you're willing to play

yeah.