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Title	:	Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto
Author	:	Chuck Klosterman
Book Format	:	Paperback
Book Edition	:	1st Scribner trade paperback edition
Pages	:	Pages: 272 pages
Published	:	July 2nd 2004 by Scribner (first published July 20th 2003)
Categories	:	Nonfiction. Writing. Essays. Humor. Culture. Pop Culture. Music. Cultural. Autobiography. Memoir

Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

Chuck Klosterman

Paperback | Pages: 272 pages

Rating: 3.73 | 63794 Users | 3445 Reviews

Explanation During Books Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto

Countless writers and artists have spoken for a generation, but no one has done it quite like Chuck Klosterman. With an exhaustive knowledge of popular culture and an almost effortless ability to spin brilliant prose out of unlikely subject matter, Klosterman attacks the entire spectrum of postmodern America: reality TV, Internet porn, Pamela Anderson, literary Jesus freaks, and the real difference between apples and oranges (of which there is none). And don't even get him started on his love life and the whole Harry-Met-Sally situation.

Whether deconstructing Saved by the Bell episodes or the artistic legacy of Billy Joel, the symbolic importance of The Empire Strikes Back or the Celtics/Lakers rivalry, Chuck will make you think, he'll make you laugh, and he'll drive you insane -- usually all at once. Sex, Drugs, and Cocoa Puffs is ostensibly about art, entertainment, infotainment, sports, politics, and kittens, but -- really -- it's about us. All of us. As Klosterman realizes late at night, in the moment before he falls asleep, "In and of itself, nothing really matters. What matters is that nothing is ever 'in and of itself.'" Read to believe.

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Original Title:	Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto
ISBN:	0743236017 (ISBN13: 9780743236010)
Edition Language:	English

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Ratings: 3.73 From 63794 Users | 3445 Reviews

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When I was in college, one of my professors assigned a book that used bridge, a card game he apparently loved, to illustrate the principles of sociology. I found the book, which he had written, to be a waste of time and was annoyed that he made us buy and read it. At the end of the semester, we had to write a paper that applied sociological theories to something in American culture we were interested in. So, in an attempt to mock the professor, I focused my paper on several children's cartoons

as i just said in an email to james:i knocked out sex drugs and cocoa puffs by chuck klosterman in a few hours last night, and i gotta tell you, i fear for the world when i think of how many kids i know list this book or its author as an all-time favorite on facebook. this guy is a turd, and people are clearly confusing his wit with intellect.so yeah.frustratingly surface, misogynistic, hipster cynicism b.s. if you ask me.

So, heres the deal. I was going to try and write a cogent, well-thought out review of exactly why I disliked this book so much, but its not working out that way. The more I sit here trying to think of things to say, the more my blood pressure skyrockets and I get more and more retroactively angry at the book. At first, I wanted to give this book two stars, because there are a couple of essays in here that felt valid to me, one in particular about how Klosterman thinks were all doomed to never

Okay so I get what Klosterman is doing here, and I can see how plenty of people actually like it. But I did.not.dig.Actually, that is one of my nonsensical pet peeves in my books. Even when I am reading contemporary fiction which one would pretty much assume would have modern references, it just annoys me when author's mention things like Facebook, or IG, or Twitter, or even things like iPods, Jamba Juice, Beyonce, Twilight, etc. I don't exactly know why, but I just think that we can do without

With a disturbingly thorough knowledge of pop culture and an almost effortless ability to spin brilliant prose out of unlikely subject matter, Klosterman attacks every aspect of postmodern America: reality television, the false, unbalanced nature of When Harry Met Sally, and the media, among other seamlessly interwoven topics. He presents his essays as if they were tracks on a CD and elaborates on his experiences, which include everything between interviewing musical icons as well a brief

a nice little collection of essays covering everything from the Sims, why the Lakers / Celtics conflict can apply to everything in life, the Real World, and Saved by the Bell. Chuck has a pretty sharp little wit; i definitely snickered through most of the book (which made for some awkward looks on the metro). i think my only critique would be the novelty of his writing style started to wear off by the end of the book, but overall, a good read. definitely a fan of the section on why John Cusack's

I know I'm supposed to be won over by Chuck Klosterman's supposedly keen and cutting insight into pop culture and therefore the modern human experience, but I really just felt like I was at a really dull party and cornered by some annoyingly pseudo-intellectual guy whose sole enjoyment is to contradict and mock anything anyone says just to hear himself talk.